Phân tích tư tưởng của nhân dân qua đoạn thơ: Những người vợ nhớ chồng… Những cuộc đời đã hóa sông núi ta trong Đất nước của Nguyễn Khoa Điềm
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By the year of this Oscar montage, 1990, the cultures of home video viewing and
movie taping had taken hold, and while the widespread development of the domestic
cinephile would await the phenomenon of DVD collecting as characterized by Barbara
Klinger, the accumulative spectatorial pleasures of the Workman montages foretell the
dynamic of the contemporary movie collector. According to Klinger this is “a dynamic
that occludes the relations the collection has to the outside world, particularly to the
social and material conditions of mass production.” (Klinger, 147) Like the collector,...
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