Adobe Photoshop Elements 5.0 A–Z Tools and features illustrated ready reference- P5
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Tham khảo tài liệu adobe photoshop elements 5.0 a–z tools and features illustrated ready reference- p5, công nghệ thông tin, đồ họa - thiết kế - flash phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả
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Adobe Photoshop Elements 5.0 A–Z Tools and features illustrated ready reference- P5 rR REFLECTION TOOL, LIQUIFY FILTER Before Before After After Reflection tool, Relative Colorimetric Remove Color Menu: Editor: Enhance > Adjust Color > Remove Color Liquify filter rendering intent Shortcut: Shft Ctrl/Cmd U OS: Mac, Windows Menu: Editor: Filter > Distort > Liquify Menu: – Version: 3, 4, 5 See also: Hue/Saturation Shortcut: – OS: Mac, Windows Shortcut: – OS: Mac, Windows Version: 1, 2, ,3, 4, 5 See also: Liquify filter Version: 1, 2, ,3, 4, 5 See also: Saturation rendering intent The Remove Color feature erases all traces At various points in the digital photography of color from the picture, just leaving the The Reflection tool paints mirrored pixels detail and tone. as it is dragged across the surface of the process it is necessary to change or alter photo. The direction in which the tool the spread of colors in a picture so that The final result is a grayscale image which is applied determines which pixels are they fit the characteristics of an output is still stored in an RGB Color mode. This mirrored. device, such as a screen or printer, more is handy as it allows you to hand color or fully. Relative Colorimetric is one of the tone the picture whereas color pictures When the brush head is moved downwards four different approaches that Photoshop that are converted to the grayscale mode the pixels on the left are mirrored into the Elements can use in this conversion need reconverting back to RGB Color painted area. Moving the brush upwards process. The other choices are Perceptual, mode before this type of enhancement mirrors the pixels on the right. Painting Saturation and Absolute Colorimetric. can occur. from right to left mirrors the top pixels and from left to right the bottom ones. Each approach produces different results The feature produces the same result as and is based on a specific conversion dragging the Saturation slider in the Hue/ Like the other Liquify tools, the size of or ‘rendering intent’. The Relative Saturation control all the way to the left the area affected by the tool is based on Colorimetric setting squashes or stretches (1). For this reason sometimes this type the Brush Size setting and the strength the range of colors in the original so that of change is called ‘de-saturating’ the of the change is determined by the Brush they fit the range of possible colors that the picture. Pressure value. new device can display or print. The Saturation option tries to maintain the strength of colors during the conversion process (even if color accuracy is the cost). The Perceptual setting puts conversion emphasis on ensuring that the adjusted picture, when viewed on the new output device, appears to the human eye to be R very simila ...
Nội dung trích xuất từ tài liệu:
Adobe Photoshop Elements 5.0 A–Z Tools and features illustrated ready reference- P5 rR REFLECTION TOOL, LIQUIFY FILTER Before Before After After Reflection tool, Relative Colorimetric Remove Color Menu: Editor: Enhance > Adjust Color > Remove Color Liquify filter rendering intent Shortcut: Shft Ctrl/Cmd U OS: Mac, Windows Menu: Editor: Filter > Distort > Liquify Menu: – Version: 3, 4, 5 See also: Hue/Saturation Shortcut: – OS: Mac, Windows Shortcut: – OS: Mac, Windows Version: 1, 2, ,3, 4, 5 See also: Liquify filter Version: 1, 2, ,3, 4, 5 See also: Saturation rendering intent The Remove Color feature erases all traces At various points in the digital photography of color from the picture, just leaving the The Reflection tool paints mirrored pixels detail and tone. as it is dragged across the surface of the process it is necessary to change or alter photo. The direction in which the tool the spread of colors in a picture so that The final result is a grayscale image which is applied determines which pixels are they fit the characteristics of an output is still stored in an RGB Color mode. This mirrored. device, such as a screen or printer, more is handy as it allows you to hand color or fully. Relative Colorimetric is one of the tone the picture whereas color pictures When the brush head is moved downwards four different approaches that Photoshop that are converted to the grayscale mode the pixels on the left are mirrored into the Elements can use in this conversion need reconverting back to RGB Color painted area. Moving the brush upwards process. The other choices are Perceptual, mode before this type of enhancement mirrors the pixels on the right. Painting Saturation and Absolute Colorimetric. can occur. from right to left mirrors the top pixels and from left to right the bottom ones. Each approach produces different results The feature produces the same result as and is based on a specific conversion dragging the Saturation slider in the Hue/ Like the other Liquify tools, the size of or ‘rendering intent’. The Relative Saturation control all the way to the left the area affected by the tool is based on Colorimetric setting squashes or stretches (1). For this reason sometimes this type the Brush Size setting and the strength the range of colors in the original so that of change is called ‘de-saturating’ the of the change is determined by the Brush they fit the range of possible colors that the picture. Pressure value. new device can display or print. The Saturation option tries to maintain the strength of colors during the conversion process (even if color accuracy is the cost). The Perceptual setting puts conversion emphasis on ensuring that the adjusted picture, when viewed on the new output device, appears to the human eye to be R very simila ...
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