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Since human feeling is central to aesthetic history, it is to be expected that
disability will crop up everywhere because the disabled body and mind always
elicit powerful emotions. I am making a stronger claim: that disability is integral
to aesthetic conceptions of the beautiful and that the influence of disability on art
has grown, not dwindled, over the course of time. If this is the case, we may
expect disability to exert even greater power over art in the future. We need to
consider, then, how art is changed when we conceive of disability as an aesthetic
value in...
Nội dung trích xuất từ tài liệu:
Aesthetics and Its Discontents
