Phân tích tư tưởng của nhân dân qua đoạn thơ: Những người vợ nhớ chồng… Những cuộc đời đã hóa sông núi ta trong Đất nước của Nguyễn Khoa Điềm
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His plans would soon be altered, though. A second concert promoted by Dona Laurinda attracted the
attention of the São Paulo modernist artists; in it, Villa-Lobos presented his most aesthetically
‘daring’ works, such as the Quartetto Simbolico and the piece A Fiandeira for solo piano, clearly
inspired by Debussy’s music. Villa-Lobos’s ‘modernity’ – a Debussian ‘modernity’ – meant he was
the only composer invited to present his works at the São Paulo Modern Art Week.8
After the Week, friends and admirers of Villa-Lobos began to discuss the idea of him visiting Paris –
a step seen as expected for a musician who had become a celebrity...
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