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Cinema as Art and Philosophy in Béla Tarr's Creative Exploration of Reality

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Taken as a whole, the German cinema is both more and less than the sum of its films. When one thinks of individual titles, quite a few, especially from the 1920s and early 1930s, have entered the canon, have become cultural icons the world over. Yet in these very same classics, the brilliant and the dark sides of their genius appear not only close together but inextricable. If we think of The Golem, The Cabinet of Dr Caligari, Nosferatu and Dr Mabuse: these are titles which by themselves evoke the spirit of an age, conjuring up...

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