Creative Photoshop: Digital Illustration and Art Techniques Photoshop Cs4- P6

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Creative Photoshop: Digital Illustration and Art Techniques Photoshop Cs4- P6 13 Part Three: Real World Photoshop 28 Create a new layer and drag it beneath the blue outlines layer. Select a pink foreground color from the picker and fill the active selection with it on the new layer. Deselect, and offset the layer contents by moving them with the Move tool or nudging with the arrow keys. Feel free to rotate the contents of this layer while offsetting with the Free-Transform tool if you like. Open up the small1b.jpg file. Lighten the black, convert to grayscale, and then convert it to a bitmap. Perform what is now becoming a familiar operation to create the bitmap halftone screen effect. Angle and frequency settings can be left the same as they were the last time. When you have completed the conversion, invert the image. Select all and copy. 29 Return to the working file and create a new alpha channel. Paste the copied art into it and position the art over the small squid with the aid of a visible composite channel. Load the channel as a selection and create a new layer. Set the foreground color to white and fill the active selection with it on the new layer. Deactivate the selection and nudge or move the layer contents if necessary. Open up the small1c.jpg file. Invert the image, copy it, and paste it into a new alpha channel in the working file. Move the channel contents into position and load the channel as a selection. Create a new layer and fill the active selection with light green on the new layer. 238Please purchase PDF Split-Merge on www.verypdf.com to remove this watermark. 13 Chapter 13: Simulated Screen-Printing 30 Select all of the layers that make up this smaller squid creature and group them. Open up the small2a.jpg file. Invert the image and copy it. Paste it into a new alpha channel in the image. Position the art so that the creature’s tail extends beyond the right side of the channel and then load the channel as a selection. Create a new layer and fill the active selection with the same light green foreground color you just used. Now use the Magic Wand to select the inner area of the creature on this layer; a single click should do it. Create a new layer. Drag it beneath the green outlines layer, fill the active selection with pink, and then deselect. Use the Move tool to Shift-drag the layer down slightly to offset it. 31 Target the layer that contains the green outlines and use the Magic Wand to select the iris area of the creature. Create a new layer and fill this selection with cyan-blue. Deselect and move the contents upward a little. Then drag the layer beneath the outlines layer in the Layers palette. Target the three layers that make up this creature and group them. 239Please purchase PDF Split-Merge on www.verypdf.com to remove this watermark. 13 Part Three: Real World Photoshop 32 Open up the small3a.jpg file and invert it. Copy the artwork and paste it into a new alpha channel in your working file. Position the art over the big squid’s tentacles, a little to the left of the center of the canvas. Load the channel as a selection and create a new layer. Fill the active selection on the new layer with a dark blue foreground color. Deactivate the selection and use Free-Transform to rotate the layer contents a little. Select the Magic Wand, but don’t select anything with it yet, I’m going to show you a shortcut. Quickly selecting interior regions Previously, we selected all regions within a creature manually. However, this alternative method is just as effective and perhaps a little quicker. 1 First, load a selection from the 2 Now that the areas of the layer 3 Now, select the Magic Wand tool contents of the entire layer. In ...