Creative Photoshop: Digital Illustration and Art Techniques Photoshop Cs4- P8
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Tham khảo tài liệu creative photoshop: digital illustration and art techniques photoshop cs4- p8, công nghệ thông tin, đồ họa - thiết kế - flash phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả
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Creative Photoshop: Digital Illustration and Art Techniques Photoshop Cs4- P8 17 Part Four: Illustrative Photography 20 Add a layer mask to the original grid layer. Create radial, black to transparent gradients within the mask. Use this same method to mask one of your grid copy layers. Then, while holding down the Alt(PC)/Option(Mac) key, click on the mask and drag it onto another grid copy layer in the Layers palette to add an identical mask to that layer. Repeat this process with the remaining unmasked grid layer. Add the grid layers to a new group. Add a mask to the group and then use the same methods to edit the group’s mask. Select the Magic Wand tool and deactivate the Sample All Layers function. Path editing Because this facial grid is constructed of path components, it is entirely editable. You can use the Direct Selection tool to select and edit any point, line segment, or Bezier handle. You can fiddle until your heart’s content. However, be certain that you’re happy with the appearance of your grid before you go ahead and stroke the path with a brush. Once you do this, the pixels on your targeted layer are painted with the brush and editing the path from this point on won’t do you any good. So be certain that you’re satisfied before you select the Stroke option. 21 Ensure that the Contiguous and Anti-alias options are enabled and leave the tolerance set to the default value of 32. Target your original grid layer in the Layers palette. Use the Magic Wand tool to click on an area that is enclosed on all sides by grid lines. Hold down the Shift key and click on other enclosed areas on this layer to add them to the selection. Be careful not to click on areas that are not completely contained within grid lines or you’ll end up selecting the entire background. 338Please purchase PDF Split-Merge on www.verypdf.com to remove this watermark. 17 Chapter 17: The Third Dimension PART FIVE: Texture and holes 22 Open up the texture.jpg file. Choose Select All and then Edit Copy from the menu. Return to your working file and, with the new selection active, choose Edit Paste Into from the menu. This will paste the copied image into your file as a new, masked layer. The mask is dictated by the active selection. Drag the new texture layer out, and on top, of your grid group in the Layers palette. However, ensure that your layer remains within the main group. Change the layer blending mode to luminosity and reduce the opacity to 76%. Duplicate this layer and change the blending mode to overlay. Altering the grid Now that you know how to select squares from the grid, there’s much more you can do to embellish the face. 1 As you did previously, use the Magic 2 Deselect and add a layer mask. Use 3 Again, use the Magic Wand to select Wand to select a number of different the Gradient tool to edit the mask, a number o ...
Nội dung trích xuất từ tài liệu:
Creative Photoshop: Digital Illustration and Art Techniques Photoshop Cs4- P8 17 Part Four: Illustrative Photography 20 Add a layer mask to the original grid layer. Create radial, black to transparent gradients within the mask. Use this same method to mask one of your grid copy layers. Then, while holding down the Alt(PC)/Option(Mac) key, click on the mask and drag it onto another grid copy layer in the Layers palette to add an identical mask to that layer. Repeat this process with the remaining unmasked grid layer. Add the grid layers to a new group. Add a mask to the group and then use the same methods to edit the group’s mask. Select the Magic Wand tool and deactivate the Sample All Layers function. Path editing Because this facial grid is constructed of path components, it is entirely editable. You can use the Direct Selection tool to select and edit any point, line segment, or Bezier handle. You can fiddle until your heart’s content. However, be certain that you’re happy with the appearance of your grid before you go ahead and stroke the path with a brush. Once you do this, the pixels on your targeted layer are painted with the brush and editing the path from this point on won’t do you any good. So be certain that you’re satisfied before you select the Stroke option. 21 Ensure that the Contiguous and Anti-alias options are enabled and leave the tolerance set to the default value of 32. Target your original grid layer in the Layers palette. Use the Magic Wand tool to click on an area that is enclosed on all sides by grid lines. Hold down the Shift key and click on other enclosed areas on this layer to add them to the selection. Be careful not to click on areas that are not completely contained within grid lines or you’ll end up selecting the entire background. 338Please purchase PDF Split-Merge on www.verypdf.com to remove this watermark. 17 Chapter 17: The Third Dimension PART FIVE: Texture and holes 22 Open up the texture.jpg file. Choose Select All and then Edit Copy from the menu. Return to your working file and, with the new selection active, choose Edit Paste Into from the menu. This will paste the copied image into your file as a new, masked layer. The mask is dictated by the active selection. Drag the new texture layer out, and on top, of your grid group in the Layers palette. However, ensure that your layer remains within the main group. Change the layer blending mode to luminosity and reduce the opacity to 76%. Duplicate this layer and change the blending mode to overlay. Altering the grid Now that you know how to select squares from the grid, there’s much more you can do to embellish the face. 1 As you did previously, use the Magic 2 Deselect and add a layer mask. Use 3 Again, use the Magic Wand to select Wand to select a number of different the Gradient tool to edit the mask, a number o ...
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