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ESPACIO LITERAZIO

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This change of name signalled a desire for deeper changes. In fact, until then, the classical music produced in Brazil had circulated exclusively in Court circles. It was in 1841 that Francisco Manuel da Silva “put before the throne” a request for the creation of the Imperial Conservatory, a ‘civilizing environment’ that could place Brazil in the ensemble of the “most cultured nations” (Mello 1947 [1908]:219). Before this, the classical music produced in Brazil was for all intents confined to music for ecclesiastical functions, composed by chapel masters such as Marcos Portugal and Father José Maurício....
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ESPACIO LITERAZIO

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