Để đạt thành tích cao trong kì thi sắp tới, các bạn có thể tham khảo IELTS Academic Reading 2 sau đây, nhằm rèn luyện và nâng cao kĩ năng giải đề thi IELTS, nâng cao kiến thức cho bản thân.
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IELTS Academic Reading 2
Reading Passage 002
You should spend no more than 20 minutes on Questions 27-40 which are based on
Reading Passage 2 below.
Visual Symbols and the Blind
Part 1
From a number of recent studies, it has become clear that blind people can appreciate the
use of outlines and perspectives to describe the arrangement of objects and other surfaces
in space.
But pictures are more than literal representations. This fact was drawn to my attention
dramatically when a blind woman in one of my investigations decided on her own initiative to
draw a wheel as it was spinning. To show this motion, she traced a curve inside the circle
(Fig. 1). I was taken aback, lines of motion, such as the one she used, are a very recent
invention in the history of illustration. Indeed, as art scholar David Kunzle notes, Wilhelm
Busch, a trend-setting nineteenth-century cartoonist, used virtually no motion lines in his
popular figure until about 1877.
When I asked several other blind study subjects to draw a spinning wheel, one particularly
clever rendition appeared repeatedly: several subjects showed the wheel's spokes as curves
lines. When asked about these curves, they all described them as metaphorical ways of
suggesting motion. Majority rule would argue that this device somehow indicated motion
very well. But was it a better indicator than, say, broken or wavy lines-or any other kind of
line, for that matter? The answer was not clear. So I decided to test whether various lines of
motion were apt ways of showing movement or if they were merely idiosyncratic marks.
Moreover, I wanted to discover whether there were differences in how the blind and the
sighted interpreted lines of motion.
To search out these answers, I created raised-line drawings of five different wheels,
depicting spokes with lines that curved, bent, waved, dashed and extended beyond the
perimeters of the wheel. I then asked eighteen blind volunteers to feel the wheels and assign
one of the following motions to each wheel: wobbling, spinning fast, spinning steadily, jerking
or braking. My control group consisted of eighteen sighted undergraduates from the
University of Toronto.
Words associated Agreement among
with circle/square subjects(%)
SOFT-HARD 100
MOTHER-FATHER 94
HAPPY-SAD 94
GOOD-EVIL 89
LOVE-HATE 89
ALIVE-DEAD 87
BRIGHT-DARK 87
LIGHT-HEAVY 85
WARM-COLD 81
SUMMER-WINTER 81
WEAK-STRONG 79
FAST-SLOW 79
CAT-DOG 74
SPRING-FALL 74
QUIET-LOUD 62
WALKING-STANDING 62
ODD-EVEN 57
FAR-NEAR 53
PLANT-ANIMAL 53
DEEP-SHALLOW 51
All but one of the blind subjects assigned distinctive motions to each wheel. Most guessed
that the curved spokes indicated that the wheel was spinning steadily; the wavy spokes, they
thought; suggested that the wheel was wobbling; and the bent spokes were taken as a sign
that the wheel was jerking. Subjects assumed that spokes extending beyond the wheel's
perimeter signified that the wheel had its brakes on and that dashed spokes indicated the
wheel was spinning quickly.
In addition, the favored description for the sighted was favored description for the blind in
every instance. What is more, the consensus among the sighted was barely higher than that
among the blind. Because motion devices are unfamiliar to the blind, the task I gave them
involved some problem solving. Evidently, however, the blind not only figured out meaning
for each of motion, but as a group they generally came up with the same meaning at least as
frequently as did sighted subjects.
Part 2
We have found that the blind understand other kinds of visual metaphors as well. One blind
woman drew a picture of a child inside a heart-choosing that symbol, she said, to show that
love surrounded the child. With Chang Hong Liu, a doctoral student from china, I have begun
exploring how well blind people understand the symbolism behind shapes such as hearts
that do not directly represent their meaning.
We gave a list of twenty pairs of words to sighted subjects and asked them to pick from each
pair the term that best related to a circle and the term that best related to assure. For
example, we asked: what goes with soft? A circle or a square? Which shapes goes with
hard?
All our subjects deemed the circle soft and the square hard. A full 94% ascribed happy to the
circle, instead of sad. But other pairs revealed less agreement: 79% matched fast to slow
and weak to strong, respectively. And only 51% linked deep to circle and shallow to square.
(see Fig. 2) When we tested four totally blind volunteers using the same list, we found that
their choices closely resembled those made by he sighted subjects. One man, who had
been blind since birth, scored extemely well. He made only one match differing from the
consensus, assigning 'far' to square and 'near' to circle. In fact, only a small majority of
sighted subjects-53%- had paired far and near to the opposite partners. Thus we concluded
that the blind interpret abstract shapes as sighted people do.
...