PLANET HOLLYWOOD: Meeting Facilities Map
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This essay explores one manifestation of the popular historicization of
“Hollywood,” the historical film clip montages created—mostly—by former trailer
producer Chuck Workman for the Academy Awards telecasts produced by Gil Cates
during the 1990s. These brief pieces of (televised) film about film history participated
strongly in the reconfiguring and marketing of the cinematic past in the popular
imaginary during the nineties, pivotal years in the globalization of hegemonic American
film culture. The Academy Awards telecast is a surprisingly under-examined televisual
text, considering its longevity and international ubiquity, and deserves further...
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