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Redefining Gender in Twenty-First Century Spanish Cinema: The Films of Pedro Almodóvar

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The document crafted by Quigley and Lord contained two sections, a philosophical justification titled “General Principles,” followed by a list of prohibitions titled “Working Principles.” The first section of the original Production Code was later titled “Reasons Supporting the Code.” The document that later became known as “the Code” was a summary of the original prepared at the direction of Will H. Hays, because, said Lord, “in the abbreviated form it was a more workable and convenient set of instructions.”2 The first section laid out a theory of media that recognized the cathartic and escapist function of...

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