Phân tích tư tưởng của nhân dân qua đoạn thơ: Những người vợ nhớ chồng… Những cuộc đời đã hóa sông núi ta trong Đất nước của Nguyễn Khoa Điềm
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When the composer Leopoldo Miguéz took over the direction of the then National Institute of
Music, in 1890, he made a point of imposing a ‘modern’ aesthetic in contrast to the ‘conservatism’
reigning there on his arrival. For Miguéz, ‘modern’ meant the German aesthetic of Wagner and the
French aesthetic of Saint-Saëns, while ‘conservatism’ meant the insistence on privileging the Italian
bel canto; at another level, Wagner, Saint-Saëns, Miguéz and the Republic were the modernity that
came to substitute Verdi, the Conservatory and the emperor, a musical echo of the urban and
ideological reforms through which the capital of the Republic was passing. Hence, social and
political...
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VILLA SPADA ORBICCIANO, NORTHERN TUSCANY
