Phân tích tư tưởng của nhân dân qua đoạn thơ: Những người vợ nhớ chồng… Những cuộc đời đã hóa sông núi ta trong Đất nước của Nguyễn Khoa Điềm
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'Visual Pleasure and Narrative Cinema.'
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Once this has been achieved,
her meaning in the process is at an end, it does not last into the world of law and
language except as a memory which oscillates between memory of maternal
plenitude and memory of lack. Both are posited on nature (or on anatomy in Freud's
famous phrase). Woman's desire is subjected to her image as bearer of the bleeding
wound, she can exist only in relation to castration and cannot transcend it. She turns
her child into the signifier of her own desire to possess a penis (the condition, she
imagines, of entry into...
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