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Báo cáo hóa học: Research Article Feedback Amplitude Modulation Synthesis
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Tuyển tập báo cáo các nghiên cứu khoa học quốc tế ngành hóa học dành cho các bạn yêu hóa học tham khảo đề tài: Research Article Feedback Amplitude Modulation Synthesis
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Báo cáo hóa học: " Research Article Feedback Amplitude Modulation Synthesis"Hindawi Publishing CorporationEURASIP Journal on Advances in Signal ProcessingVolume 2011, Article ID 434378, 18 pagesdoi:10.1155/2011/434378Research ArticleFeedback Amplitude Modulation Synthesis Jari Kleimola,1 Victor Lazzarini,2 Vesa V¨ lim¨ ki,1 and Joseph Timoney2 aa 1 Department of Signal Processing and Acoustics, Aalto University School of Electrical Engineering, P.O. Box 13000, 00076 AALTO, Espoo, Finland 2 Sound and Digital Music Technology Group, National University of Ireland, Maynooth, Co. Kildare, Ireland Correspondence should be addressed to Jari Kleimola, jari.kleimola@tkk.fi Received 15 September 2010; Accepted 20 December 2010 Academic Editor: Federico Fontana Copyright © 2011 Jari Kleimola et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. A recently rediscovered sound synthesis method, which is based on feedback amplitude modulation (FBAM), is investigated. The FBAM system is interpreted as a periodically linear time-varying digital filter, and its stability, aliasing, and scaling properties are considered. Several novel variations of the basic system are derived and analyzed. Separation of the input and the modulation signals in FBAM structures is proposed which helps to create modular sound synthesis and digital audio effects applications. The FBAM is shown to be a powerful and versatile sound synthesis principle, which has similarities to the established distortion synthesis methods, but which is also essentially different from them.1. Introduction For sinusoidal inputs, both techniques will produce a limited set of partials. In order to develop them into a usefulAmplitude modulation (AM) is a well-described technique method of synthesis, one may either employ a component-of sound processing [1]. It is based on the audio-range rich carrier, or by means of feedback, add partials tomodulation of the amplitude of a carrier signal generator the modulator [2]. The second option has the advantageby another signal. For each component in the two input of providing a rich output simply using two sinusoidalsignals, three components will be produced at the output: the oscillators. Note that in this case only the AM method issum and difference between the two, plus the carrier signal practical, since feedback RM produces only silence after thecomponent. The amplitude of the output signal sAM (n) is modulator signal becomes zero.offset by the carrier amplitude a, that is, The feedback AM (FBAM) oscillator first appeared in the literature as instrument 1 in example no. 510 from sc (n) sAM (n) = [sm (n) + a] Risset’s catalogue of computer synthesized sounds [3] and , (1) a subsequently in a conference paper by Layzer [4] to whom Risset had attributed the idea. Also, a further implementationwhere sc (n) and sm (n) are the carrier and modulation signals, of the algorithm is found in [5].respectively, and a is the maximum absolute amplitude of the However, the FBAM algorithm remains relatively un-carrier signal. known and, apart from the prior work cited above, is largely AM has a sister technique, ring modulation (RM) [1], unexplored. The authors started examining it in [2] and willwhich is very similar, but with one important difference: now expand this work in order to provide a framework forthere is no offset in the output amplitude, and the output a general theory of feedback synthesis by exploring the peri-signal can be expressed as odically linear time-variant (PLTV) filter theory in synthesis contexts. A further goal is to gain a better understanding sRM (n) = sm (n)sc (n). (2) of FBAM for practical implementation purposes. The novelThus, the spectrum of ring modulation will not contain the work comprises (i) the PLTV filter interpretation of thecarrier signal. method, (ii) stability, aliasing, and scaling considerations,2 EURASIP Journal on Advances in Signal Processing which leads to the conclusi ...
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Báo cáo hóa học: " Research Article Feedback Amplitude Modulation Synthesis"Hindawi Publishing CorporationEURASIP Journal on Advances in Signal ProcessingVolume 2011, Article ID 434378, 18 pagesdoi:10.1155/2011/434378Research ArticleFeedback Amplitude Modulation Synthesis Jari Kleimola,1 Victor Lazzarini,2 Vesa V¨ lim¨ ki,1 and Joseph Timoney2 aa 1 Department of Signal Processing and Acoustics, Aalto University School of Electrical Engineering, P.O. Box 13000, 00076 AALTO, Espoo, Finland 2 Sound and Digital Music Technology Group, National University of Ireland, Maynooth, Co. Kildare, Ireland Correspondence should be addressed to Jari Kleimola, jari.kleimola@tkk.fi Received 15 September 2010; Accepted 20 December 2010 Academic Editor: Federico Fontana Copyright © 2011 Jari Kleimola et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. A recently rediscovered sound synthesis method, which is based on feedback amplitude modulation (FBAM), is investigated. The FBAM system is interpreted as a periodically linear time-varying digital filter, and its stability, aliasing, and scaling properties are considered. Several novel variations of the basic system are derived and analyzed. Separation of the input and the modulation signals in FBAM structures is proposed which helps to create modular sound synthesis and digital audio effects applications. The FBAM is shown to be a powerful and versatile sound synthesis principle, which has similarities to the established distortion synthesis methods, but which is also essentially different from them.1. Introduction For sinusoidal inputs, both techniques will produce a limited set of partials. In order to develop them into a usefulAmplitude modulation (AM) is a well-described technique method of synthesis, one may either employ a component-of sound processing [1]. It is based on the audio-range rich carrier, or by means of feedback, add partials tomodulation of the amplitude of a carrier signal generator the modulator [2]. The second option has the advantageby another signal. For each component in the two input of providing a rich output simply using two sinusoidalsignals, three components will be produced at the output: the oscillators. Note that in this case only the AM method issum and difference between the two, plus the carrier signal practical, since feedback RM produces only silence after thecomponent. The amplitude of the output signal sAM (n) is modulator signal becomes zero.offset by the carrier amplitude a, that is, The feedback AM (FBAM) oscillator first appeared in the literature as instrument 1 in example no. 510 from sc (n) sAM (n) = [sm (n) + a] Risset’s catalogue of computer synthesized sounds [3] and , (1) a subsequently in a conference paper by Layzer [4] to whom Risset had attributed the idea. Also, a further implementationwhere sc (n) and sm (n) are the carrier and modulation signals, of the algorithm is found in [5].respectively, and a is the maximum absolute amplitude of the However, the FBAM algorithm remains relatively un-carrier signal. known and, apart from the prior work cited above, is largely AM has a sister technique, ring modulation (RM) [1], unexplored. The authors started examining it in [2] and willwhich is very similar, but with one important difference: now expand this work in order to provide a framework forthere is no offset in the output amplitude, and the output a general theory of feedback synthesis by exploring the peri-signal can be expressed as odically linear time-variant (PLTV) filter theory in synthesis contexts. A further goal is to gain a better understanding sRM (n) = sm (n)sc (n). (2) of FBAM for practical implementation purposes. The novelThus, the spectrum of ring modulation will not contain the work comprises (i) the PLTV filter interpretation of thecarrier signal. method, (ii) stability, aliasing, and scaling considerations,2 EURASIP Journal on Advances in Signal Processing which leads to the conclusi ...
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