Phân tích tư tưởng của nhân dân qua đoạn thơ: Những người vợ nhớ chồng… Những cuộc đời đã hóa sông núi ta trong Đất nước của Nguyễn Khoa Điềm
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Considerations of a similar sort can be applied also, now, in relation to our experience of music.
Here, too, it is phantasy-feelings which are involved as the presupposition of our (genuine)
feelings of aesthetic pleasure. But the phantasy- feelings that are evoked by absolute music
dispense with all presuppositions similar to those which one would find in a corresponding
serious feeling: such phantasy-feelings are in this sense meaningless (are, as one might say, a
matter of `pure will' - or of pure intoxication). Whoever is sad knows what he is sad about, and it
is the thought of this...
Nội dung trích xuất từ tài liệu:
Ethics and Aesthetics Intersections in Iris Murdoch’s Philosophy
