REMMBERING KANJI - PART 7

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REMMBERING KANJI - PART 7314 Remembering the Kanji * sieve z A rake and the grains of rice at the bottom give us a hint of win- nowing, which relates clearly to the meaning of a sieve. [8] +, sane 1159 d Cave . . . sieve. [11] apprehend 1160 Ò Think of apprehending criminals. The elements are: sieve . . . road. [11] * mop Õ The only thing distinguiinges a mop from a rake is the bent handle that does not cut through the top horizontal stroke. It depicts the swish-swash motion of a mop. [4] PQRS Italy 1161 Q Used chieµy in proper names, and given the sound “i,” this kanji can be remembered as an abbreviation of Italy, for which it is still used today in Japan. Its primitives: person . . . mop. [6] old boy 1162 p The somewhat highbrow British term of address is chosen here to represent the kanji for a form of address used towards one’s juniors. It is composed of: mop . . . mouth. [7]lesson 31 315 µock 1163 s Old boys . . . sheep. [13] * comb ¾ The pictograph of a comb is clearly visible in this primitive element. [6] /01234 -proof 1164 Â The key word is a suf³x used to indicate “safe from” or “pro- tected against,” as in the words rustproof, waterproof, and ³reproof. It is composed of: comb . . . glue. [9] demand 1165 7 The sense of demand is best captured by thinking of the eco- nomic principle of “supply and demand.” The primitives: rain . . . comb. [14] Confucian 1166 0 Person . . . demand. [16] edge 1167 2 Vase . . . mountain . . . comb. [14] * shovel Ô This enclosure—which embraces its relative primitive from the bottom—is a pictograph of the scoop of a shovel. When room316 Remembering the Kanji permits, the arms are extended upwards to nearly the same height as the relative element it holds. [2] 56 both 1168 X Spike . . . belt . . . shovel. Note that the writing order follows the order in which the primitives are given here. [6] full 1169 F Water . . . µowers . . . both. Given the abstract nature of this last primitive, you may want to borrow the image from the previ- ous frame. [12] brush-stroke 1170 c In forming an image for the key word, it is helpful to know that this kanji is used for artistic representations such as completed paintings, as well as for the number of brush-strokes in a char- acter (as, for instance, in Indexes ii and iii at the end of this book). Its elements are: ceiling . . . sprout . . . shovel. [8] OP789 tooth 1171 © Footprint . . . rice . . . shovel. [12] bend 1172 ( Picture yourself grabbing hold of the two strokes poking out the top of the kanji and wrenching them apart, thus giving the sense of bend. If you think of them as deriving from the ele- ment for brains beneath (of course, the middle stroke has been reduplicated and pulled out to where it can be grabbed holdlesson 31 317 of), you can associat ...