REMMBERING KANJI - PART 9

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REMMBERING KANJI - PART 9418 Remembering the Kanji mediator 1761 = Woman . . . so-and-so. [12] * bushel basket ¤ As the two legs at the bottom suggest, this bushel basket is a large container, standing on the µoor. Its ³rst four strokes indicate that it is made of wicker, much like the small wicker basket treated immediately above. To put something inside of the bushel basket, the legs at the bottom are attached to the ³nal horizontal stroke and extended to make a kind of enclo- sure. [8] lmn deceit 1762 ’ Bushel basket . . . yawn. [12] chess piece 1763 l Tree . . . bushel basket. [12] national µag 1764 i Banner . . . bushel basket. [14] period 1765 k Bushel basket . . . month. As the month indicates, this has to do with periods of time. [12]lesson 46 419 Go 1766 A Bushel basket . . . stones. The key word refers to the Japanese game played with black and white colored stones on a lined board. [13] fundamentals 1767 _ Bushel basket . . . soil. [11] tremendously 1768 d Bushel basket . . . equal. Note how the ³rst stroke of equal dou- bles up with the sixth stroke of the bushel basket, and how the animal legs of the bushel basket are dropped to make room for the human legs of equal. [9] intuition 1769 ï Tremendously . . . muscle. [11] withstand 1770 ó Soil . . . tremendously. [12] * purse — By adding a single stroke at the bottom of the kanji for in, we get a sort of pictograph of a purse. [5] precious 1771 { Purse . . . shells. [12]420 Remembering the Kanji bequeath 1772 k Precious . . . road. [15] dispatch 1773 Ü This kanji takes away the maestro’s baton and replaces it with a purse. The road represents his being dispatched on his way as an obvious mis³t. You will remember that when he did have his baton, he was being chased down the road by his fans. All of which shows what a difference a single stroke can make! [13] dance 1774 E The top two strokes show someone reclining, and the next six are a pictograph of an oaken tub ribbed with metal strips, like the kind once used for bathing. At the bottom, the sunglasses round off the character. [15] opqrs nothingness 1775 [ This character is the Japanese character for the supreme philo- sophical principle of much Oriental thought: nothingness. Make use of the oaken tub from the previous frame, and add to that the oven ³re at the bottom. [12] Lesson 47The several primitives we turn to next are all related to the position and dis-position of things. The classi³cation is somewhat arbitrary since we are gettinghard pressed to organize the leftover primitives into tidy categories. In addi-tion, from this lesson on, most references to key words with possibly confus-ing similarities will be omitted. Try to think of them yourself as you are goingthrough these characters. * shelf Õ The pictographic representation in the primitive shown here is a small stand with horizontal shelves. Thus we give it the gen- eral meaning of a shelf. It differs from the kanji and primitive for an eye only in its ³nal stroke, which extends beyond the two vertical strokes at both ends. Think of it as a shelf for special keepsakes or a glass bureau for knickknacks, keeping it distinct ...