Phân tích tư tưởng của nhân dân qua đoạn thơ: Những người vợ nhớ chồng… Những cuộc đời đã hóa sông núi ta trong Đất nước của Nguyễn Khoa Điềm
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This examination of some of the compositions produced by Villa-Lobos over the 1910s reveals his
desire to take a stance in relation to Rio de Janeiro’s classical musicians. To be accepted by his
peers, he had to abide by the aesthetic rules of the classical music scene in the city. This included
moving away from popular music: it is striking that, in the body of work composed by Villa-Lobos
during the 1910s, there is an almost complete absence of aesthetic elements linked to popular music,
despite the composer’s contact with the chorões. The classical music written by him had no
declared or internationally national element. Detailed...
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