Phân tích tư tưởng của nhân dân qua đoạn thơ: Những người vợ nhớ chồng… Những cuộc đời đã hóa sông núi ta trong Đất nước của Nguyễn Khoa Điềm
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The Mass Production of the Senses: Classical Cinema as Vernacular Modernism *
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A degree of distance, industrially, from the Hollywood studio system
often appears to be a necessary condition for substantial formal or
socio-political departure from the dominant norms. Lower budgets
and less marketing-driven filmmaking generally permit greater licence.
But this can be relative. How, exactly, any individual title is marked
as sufficiently different from the Hollywood mainstream to qualify as
independent is subject to numerous variations explored in detail in
this book. Some lean towards an ‘artistic’ form and content, merging at
one end with works usually defined as ‘experimental’ or ‘avant-garde’. ...
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